{"id":9309,"date":"2024-07-04T09:15:34","date_gmt":"2024-07-04T09:15:34","guid":{"rendered":"https:\/\/academiaschimbarii.ro\/?page_id=9309"},"modified":"2024-10-14T08:31:14","modified_gmt":"2024-10-14T08:31:14","slug":"autumn-school-of-curating-6","status":"publish","type":"page","link":"https:\/\/academiaschimbarii.ro\/en\/autumn-school-of-curating-6\/","title":{"rendered":"The Autumn School of Curating #6"},"content":{"rendered":"\t\t
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The Autumn School of Curating #6\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Art Encounters Foundation (Timi\u0219oara) and Cluj Cultural Centre (Cluj-Napoca) are launching an open call for the Autumn School of Curating, taking place in Cluj and Timi\u0219oara, Romania between 20\u201327 October, 2024.<\/strong> The partnership\u2014developed collaboratively by the two contemporary art organizations\u2014aims to strengthen international curatorial networks in the country.<\/span><\/p>

The Autumn School of Curating #6 is a rigorous eight-day seminar led by renowned curator\u00a0<\/span>Kate Fowle<\/b>, offering emerging curators an international platform for dialogue, knowledge exchange, and learning. Over the course of the program the participants will be immersed in the artistic context that both cities have to offer while exploring concepts and conversations around the theme <\/span>Worlding:<\/i><\/b> What does it mean to be \u2018international\u2019 today? <\/i><\/b>together with other remarkable international guests: Cosmin Costina\u0219, Sof\u00eda Hern\u00e1ndez Chong Cuy, Ioana Leca, Raimundas Mala\u0161auskas, and Marie H\u00e9l\u00e8ne Pereira.<\/i><\/p>

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The Autumn School of Curating\u00a0is\u00a0<\/span>free of charge<\/b>\u00a0and\u00a0<\/span>open to international candidates.<\/b>\u00a0The <\/span>organisers will cover accommodation costs<\/b> for the sessions scheduled in Cluj-Napoca and Timi\u0219oara from October 20 to 27, 2024, as well as t<\/strong><\/span>ransport costs from Cluj-Napoca to Timi\u0219oara<\/b> on October 23, 2024. The courses will be held in English. Availability in person for the entire course is required in Cluj and Timi\u0219oara.\u00a0<\/span><\/p>

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Worlding: What does it mean to be \u2018international\u2019 today? <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Argument<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The word \u2018international\u2019 was created in 1780 during European Industrialization, to be used in relation to law. It first defined \u201ca collection of rules governing relations between states,\u201d perpetuating imperialist strategies and increasing motivations for war and competition. <\/span><\/p>

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Eventually, two World Wars led to \u2018one world\u2019 unification, with the formation of the Universal Declaration of Human Rights, the United Nations, and notions of World peace, <\/span>amid the dawn of the atomic age. Then, i<\/span>n the early 1990s\u2014during the fall of Communism, as the World Wide Web was created, and while the \u2018global\u2019 artworld emerged\u2014Martinican philosopher \u00c9douard Glissant (1928-2011) developed a \u2018poetics of relation\u2019 to counter political process as a means of change and to encourage a \u2018world-mentality\u2019. Against \u2018mondialisation\u2019 (globalization) he proposed \u2018mondialit\u00e9\u2019 (worlding) to destabilize the nature-culture and local-global dichotomies driven by colonial thinking.\u00a0<\/span><\/p>

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Today, as international outcry continues over shared \u2018global\u2019 crises such as climate change, displacement, war and genocide the magnitude of competing scientific, technological, psychological, historical, and environmental frameworks create paradoxes through which we still strive to build networks of affinity. Focusing on ways that art and curatorial practices respond to these planetary politics, the 2024 Autumn School asks what does it mean to be \u2018international\u2018 today?; What is it to work outside your own cultural and social context?<\/strong>; How do you respond to multiple worldviews?<\/strong>; Are there any \u2018universals\u2019 in curating?<\/strong><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Course Leader: Kate Fowle<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Currently senior curatorial director at Hauser & Wirth in New York, Kate Fowle has 30-years\u2019 experience working internationally while living in China, Russia, the UK, and USA. As program leader, she will introduce historical trajectories and contemporary case studies alongside guest speakers from different artistic backgrounds who will expand perspectives on the topic.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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For 30 years, Kate Fowle has developed an international practice as a curator, writer, educator, and director. Currently she is the senior curatorial director at Hauser & Wirth in New York where she works closely with Gallery artists and their teams in Europe and the US. She is also board chair of the Center for Art & Advocacy, a non-profit that supports justice-impacted artists across the United States; a regional collaborator for the Kadist Foundation (Paris\/San Francisco); an advisor for the In-tangible Institute in Chiangmai, Thailand; a board member of the Drill: an alternative learning system for creatives in Lagos, Nigeria; as well as a board member of Artistic Noise in New York, which supports system-impacted youth.\u00a0<\/span><\/p>

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Over the last 15 years, she has served as the director of MoMA PS1 in New York; the inaugural chief curator and artistic director at Garage Museum of Contemporary Art in Moscow, Russia; and the executive director of Independent Curators International (ICI) in New York, where she founded the Curatorial Intensive in 2010. She has also worked in China as the first international curator of UCCA in Beijing and was the co-founder of the first Masters Program in Curatorial Practice on the West Coast, at California College of the Arts in San Francisco. Before moving to the United States in 2001, Fowle was co-founder of Smith + Fowle, an independent curatorial partnership in London. She initially trained as an artist, graduating in 1993.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Autumn School of Curating is free of charge and open to international participants.<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WHO CAN APPLY:<\/strong><\/h3>

Emerging professionals in the field of curating and art writing, with at least 3 years\u2019 experience.<\/span><\/p>

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APPLICATION DEADLINE: <\/b><\/h3>

August 20, 2024.<\/strong> The selected participants will be notified by<\/span> August 30, 2024.<\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Selected Participants\n\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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